Let there be no misunderstandings about the gel, you will be actively involved in the deyellowing process for the full day you deyellow with the gel, if you do it properly. By that I mean, I applied and reapplied the gel about once an hour. I did that based on observation and logic. After an hour in direct sun, the gel would dry on my SE/30 housing. And logically, there isn't going to be much deyellowing when the gel is no longer a gel. And so, I reapplied the gel as needed (about once an hour on average), so that the appearance of the item being deyellowed with the gel looked "wet" continually. When it started to look dull, I knew the gel was dried out, so I then painted on another coat. And when I reapplied the gel, I used my paintbrush in a scrubbing fashion to loosen up the dried undercoat so the fresh "wet" gel I was applying would directly touch the plastic.
In effect, I was doing what the liquid form of Retrobright does -- keeping it in contact with the plastic continually. And yes, folks, that means I made multiple batches of the gel throughout the day. I could have made one big batch. But I wanted the most potent form of the gel possible with my 3% H202, and the best way to do that is with a fresh batch, made about once an hour. (About the longest I left any given batch sit was 1 hour 45 minutes.) And if you have a look at my Flickr photos, you see the little glass vial I used, along with the small tupperware tub. It doesn't hold much gel at one time. But I didn't need much because I remade the gel over and over throughout the day.
That, my friends, was the key to my success at getting excellent results with the gel. No unevenness. No gradients. Just a perfect deyellowing job on my SE/30's enclosure and on my HD20SC's enclosure.