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Slomac636
Junior Member


USA
103 Posts
Posted - 12 Nov 2002 :  19:25:50
I'm just wondering how all of you feel about this issue, BMG and some other European music companies have announced that in the very near future ALL CD's will "feature" copy protection. Now, we all know that people will come up with was to circumvent copy protection, but I'm just curious how all of you feel about this issue.

Macs Liberated: 9 - 6400/180 (main Mac), 660AV, 636CD, LCIII+, LCII (2), Classic II, Classic and SE.

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alpaca2500
Junior Member


USA
102 Posts
Posted - 12 Nov 2002 :  20:36:28
i say **** that shit. if someone likes music, they should pay for it. and then, they should be able to do anything with it, as long as it is for their own personal use. if the record companies dont like people download mp3s and stuff, they should sell them. like i would pay 50 cents a song or something like that for songs i really liked. to that effect, i love emusic. subscription is $10/month if you commit to a year, but it's unlimited mp3 downloads, from their catalog that they have the right to distribute. sort of getting off topic, but i think record companies should do this with every single album. put it online and let people pay for music that they can do what they want with.

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Flash
Full Member


Australia
637 Posts
Posted - 13 Nov 2002 :  04:25:38
Love it or hate it, copying CD's, DVD's, software, obtaining 'free' cable TV and so forth is a fact of life. As soon as any new anti-pirating method is implemented, someone will reverse-engineer a way to copy it anyway.

cheers
Flash!

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Da Penguin
Senior Member


USA
1094 Posts
Posted - 13 Nov 2002 :  04:54:38
I agree with both of you. I see no point in protecting things like this, someone WILL crack it, it is just a matter of time.

They should just sell MP3's straight. I know this would be difficult, but they should be looking into it. With the massive expansion in MP3 players, especially HardDrive ones brought on byt eh iPod, eveyone is going to need MP3s.

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thelip
Full Member


USA
729 Posts
Posted - 13 Nov 2002 :  06:21:25
this might already be into effect now, i don't know, but all the music industry has to do is gets laws into order that put a ban on mp3 creation. Of course, we can still do it, but that would shut the big company's down that make the mp3 players.

As far as cracks, they've already released some copy protected cds (i i'll look for the link later) that people have cracked. most require little apps, and none are available for the mac yet (what a surprise), BUT the funniest one was the latest idea, which was a cd with the first track of all random garbage of data. Typical audio cd players would skip over the track, but computers would crap themselves. Litterally. You're mac would have to be sent to apple. (that's why i read that article, i think it was at www.macnn.com ... ) anyway, it was cracked before the cds with that protection were ever actually sent out. All it took was a permanent marker to draw on the track (apparently you could see the difference, like the computer part of an enhanced cd.) what might be happening is something new, i haven't looked into it yet.

If you all know me, you'd think that i'd get mp3s but i actually get the cds (i have 350, give or take a few.) I don't think the artists get enough money for their work. most of what you pay for goes to the record company. What I would like to see is artist's selling mp3s for themself online, i'd much rather pay them directly. but that's my 2 cents.

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Trash80toG-4
NIGHT STALKER


USA
2899 Posts
Posted - 13 Nov 2002 :  07:28:28
quote:

I agree with both of you. I see no point in protecting things like this, someone WILL crack it, it is just a matter of time.


<microrant>

The only people more reprehensible than the recording industry would be the font companies, IMHO. They sell a product as if under copyright protection which, by express intent of the intellectual property legislation on the books, is not to be protected under copyright. When the copyright office attempted to rectify the situation by removing all protection from fonts except for Trademarked Names and Design Patent for demonstrably unique Fonts in the late 80's, Adobe and their partners in crime managed to get protection restored for "the software which handles the typefaces" or some such nonexistant B.S. They're still claiming that the data in their fonts are somehow copyrighted and in the case of some companies, claiming the existence of program code within formats which contain no provision for anything but data at all!

However, the recording industry is pulling a fast one of almost on that magnitude by getting the process of circumventing copy protection defined as a criminal offence. So, the next time a kid cracks a new encryption scheme on CD's or DVD's because the distribution mafia decides not to support his platform of choice, he could wind up taking classes for an equivalency diploma in prison if this kind of crap is allowed to stand.

The process of making a backup music CD to listen to in the car in order to protect the one at home from theft or melting in the parking lot at the beach, to digitally transfer music from an encrypted CD to a cassette for use in an older auto stereo, or to make a formerly "legitimate", but unauthorized backup of software distribution media would also be criminal offence under this kind of B.S. legislation.

I'm not one to justify any kind of piracy or "sharing" of intellectual property whatsoever, but I strongly feel that the Content Distribution Mafia's behavior is far worse than that of the pirates. Things will only get worse until they are entirely cut out of the distribution process by technology.

</microrant>

jt .
Trash Hauler: call sign: eight-ball
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MomoNyo
Starting Member



8 Posts
Posted - 13 Nov 2002 :  13:50:58
Whatever happened to Philips' objection to the copy-protecting of CDs? I know they insisted that copy-protected CDs could no longer carry the "Compact Disc" logo as compatibility was a fundamental principal of the CD concept.

I have a PC here at the moment and am awaiting delivery of one of those lovely new iBooks. When I start doing some travelling I will only have the iBook and I'll be mp3-ing as many of my audio CDs (about 500 or so) as I can so I can just carry an external firewire drive full of them instead of tons (literally) of CDs.

If these CDs could potentially damage my iBook I will have little recourse but to wait (not long it seems) for the mp3s to appear on the net and use those instead. I'm not gonna risk damaging this machine for the sake of a CD.

I hope this all blows over when record companies realise that a) they ain't winning any friends here, and b) no matter how much they try to screw us, someone will always defeat them.

There are two types of people into movies and music: those that prefer to buy the originals and have a collection you can proudly show-off to people, and those who just want everything for free. It's a free country (as they say) so you can choose who you want to be, but if I see any titles that I want being copy-protected I'll just pass and get the mp3s. That'll be my way of objecting to this whole farce.

I'd totally agree with thelip saying that record companies are creaming off all the profits for themselves. It's very true and let's not forget that people have long, long complained that the companies are charging far too much for the CDs considering how ludicrously cheap they are to make. If I thought that by buying a CD directly from the artist they got ALL (not a tiny fraction) of the money, I'd do it (and have done).

Incidentally, another posible route would be to buy those "not for resale" CDs that they send to record companies. These often appear here in second-hand record stores. I bought one of these for Natalie Imbruglia's "White Lillies Island". The retail version was copy-protected (with no packaging warning) and caused a furore. However the copy I got played fine and contained no protection. Obviously they didn't want the embarrassment of it refusing to play on a radio station's equipment.

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Slomac636
Junior Member


USA
103 Posts
Posted - 14 Nov 2002 :  19:42:07
It would appear that I opened a serious can of worms here, please understand I am not an advocate for illegal copying, but I do think that being able to make MP3's from MY own CD's should be allowed. Especially since I have such a large investment in CD's and MP3 players, I probably won't buy protected CD's if I can determine that before purchase, but I'd like the option to be able to make MP3's from my CD's at least. Or the record companies could start selling them in MP3 format. Whatever the case, they are raping us anyway, I mean the average cost of a CD these days is what, $20? I'm sure the record companies get the biggest part of that.

Macs Liberated: 9 - 6400/180 (main Mac), 660AV, 636CD, LCIII+, LCII (2), Classic II, Classic and SE.

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~Coxy
Leader, Tactical Ops Unit


Australia
2822 Posts
Posted - 15 Nov 2002 :  00:46:28
quote:

The only people more reprehensible than the recording industry would be the font companies, IMHO. They sell a product as if under copyright protection which, by express intent of the intellectual property legislation on the books, is not to be protected under copyright. When the copyright office attempted to rectify the situation by removing all protection from fonts except for Trademarked Names and Design Patent for demonstrably unique Fonts in the late 80's, Adobe and their partners in crime managed to get protection restored for "the software which handles the typefaces" or some such nonexistant B.S. They're still claiming that the data in their fonts are somehow copyrighted and in the case of some companies, claiming the existence of program code within formats which contain no provision for anything but data at all!


Heh, in Karow's book he complains about the US not protecting fonts enough under copyright law, and their failure to implement the International Typeface Act (or something along those lines) to afford typefaces proper protection.

~Coxy - Leader, Tactical Operations Unit
Mayor of NuBus City v3.0
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Trash80toG-4
NIGHT STALKER


USA
2899 Posts
Posted - 15 Nov 2002 :  05:54:01
quote:

quote:

The only people more reprehensible than the recording industry would be the font companies, IMHO. They sell a product as if under copyright protection which, by express intent of the intellectual property legislation on the books, is not to be protected under copyright. When the copyright office attempted to rectify the situation by removing all protection from fonts except for Trademarked Names and Design Patent for demonstrably unique Fonts in the late 80's, Adobe and their partners in crime managed to get protection restored for "the software which handles the typefaces" or some such nonexistant B.S. They're still claiming that the data in their fonts are somehow copyrighted and in the case of some companies, claiming the existence of program code within formats which contain no provision for anything but data at all!


Heh, in Karow's book he complains about the US not protecting fonts enough under copyright law, and their failure to implement the International Typeface Act (or something along those lines) to afford typefaces proper protection.



U.S. copyright law is pased on the premise that the alpha-bet is utilitarian and therefore not protectable under copyright. It is considered much more important that the users of printing equipment be protected from being locked into the use of their equipment supplier's typefaces than for the manyfacturers to be able to squeeze them for money for a utilitarian ancilliary.

It's not surprising at all that the scum at URW or Adobe would see it the other way, now is it?

Besides, they've been stealing the work of type designers with impunity since the time of Gutenberg in an even better scam than the Recording Industry's. They can copy a font EXACTLY and just change the trademarked name without paying the creator ANYTHING! To then claim copyright on their digitally formatted version of property stolen from the little guy that created it and threaten every little guy using it in digitized form without paying them royalties is just beyond the pale.

jt .
Trash Hauler: call sign: eight-ball
C.O. AC-130H SpecOps 68kMLAAFGo to Top of Page

~Coxy
Leader, Tactical Ops Unit


Australia
2822 Posts
Posted - 15 Nov 2002 :  06:41:37
To be fair (...) that's what one of the aspects of the Agreement was, the fact that the design of a typeface can be copyrighted, even a single character can be placed in escrow with the controlling body for use in design disputes.

Of course, the big companies undoubtedly do their own rotten schemes, but there's more to a certain font house's rendition than a new name. (not a lot more, tho!)

~Coxy - Leader, Tactical Operations Unit
Mayor of NuBus City v3.0
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Trash80toG-4
NIGHT STALKER


USA
2899 Posts
Posted - 15 Nov 2002 :  07:19:42
quote:

To be fair (...) that's what one of the aspects of the Agreement was, the fact that the design of a typeface can be copyrighted, even a single character can be placed in escrow with the controlling body for use in design disputes.

Of course, the big companies undoubtedly do their own rotten schemes, but there's more to a certain font house's rendition than a new name. (not a lot more, tho!)



Compared to the original design, there is (almost) no added value whatsoever done at the distributor's end. If there weren't a mechanism
built into the system for URW and the other big guys to rip off type designers, that blurb NEVER would have made it into Karow's book.

At the very least, they were looking for a means to preserve the status quo in order to protect their efforts to market an easily reproducible digital format of all the property they had managed to steal up to the point of the legislation/treaty that they were supporting. If it managed to protect type designers instead of type distributors, what are the odds it would have any more support than the Recording Industries attempts to continue enslaving the recording artist and to more firmly enshackle the consumer?

Middlemen dealing in creative content tend to be the scurviest of what is a less than savory sampling of the human species to begin with, IMHO. When technology frees the artist from their clutches, at least the thievery will be more apparent when the consumer can't justify the use of intellectual property/creative content without compensating the artist because of the egregious behavior of the greedy scum in the middle.

jt .
Trash Hauler: call sign: eight-ball
C.O. AC-130H SpecOps 68kMLAAFGo to Top of Page

   

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