Hmmm. Was the DTP revolution going by the time the SE/30 was designed? And if so, was Apple aware of it?BIG WHOOP! Shoulda' been grayscale from day one.
http://en.wikipedia.org/wiki/Aldus_CorporationPageMaker was released in July 1985, and relied on Adobe's PostScript page description language. For output, it used the Apple LaserWriter, a PostScript laser printer. PageMaker for the PC was released in 1986, but by then the Mac was already the de facto DTP platform, with Adobe Illustrator (released in 1987) and Adobe Photoshop (released in 1990) completing the suite of graphic design software.
I agree more or less with Trash. Conservative buyers could get an SE and plug in a 17"+ monochrome monitor. The graphics card provided tear off menus, so the DTP operator could assemble a palette of tools on the SE built-in display with the work on the big monitor. The advantage of using a big monitor on a compact Mac was that the operator could disconnect the display and carry the SE off to the typesetter.Hmmm. Was the DTP revolution going by the time the SE/30 was designed? And if so, was Apple aware of it?
That description makes sense from a design perspective. Apple needed a new compact graphics system for the 68030 to work with Color QuickDraw and NuBus Slot Manager. The graphics system had to have just enough functionality to allow applications written for Color QuickDraw to run badly. (The Classic is a cost reduction rework of the Plus/SE and uses Plus/SE video methodology; the Classic II supports Color QuickDraw and presumably has yet another graphics system.)Looks like they chopped the BBU ASIC of the SE into a pile of Video Logic crap, a Video ROM and a modicum of VRAM to put Crappy@$$ Compact Video, slightly improved by the dedicated VRAM, in there for the worst Video on a MacII ever and, barring any improvement (doubtful) in the Classics, a slightly better Video implementation than the SE's.